So I recently took a big step and tried to get in touch with my dad. I havent seen him or spoken to him since he decided to not show up for our day out and then never called again. I was sitting at home after school, I had rushed home and changed and then sat on the sofa and waited, and waited........and waited. I seem to recall my mum getting a message from him and telling me he had canceled but didnt say why. After that we waited to hear from him but I never did. He came round once while I was out and he and my mum spoke but that was it. I never got a birthday card or a phonecall again.
Around the age of 8 I started having panic attacks and over the years they only got worse. When my dad stopped coming round, everything took a nose dive. I started getting depressed, my panic attacks were becoming more regular and I found it hard to talk to people. I mean at this point I didnt really know what was going on and I didnt tell anyone because I thought I was going insane. My mum knew about a couple of the panic attacks because they happened in front of her but I kept everything else to myself.
When you hit double figures you really start caring what people think about you, If you look good and you think about what bands you should like. So I never told anyone I just pretended that it never happened. I thought if people knew they would think I was mad and that would mean I wouldn't have any friends. So i done what everyone else was doing and ended up in a lot of situations I wasn't really comfortable with but went along with them anyway.
It wasn't until I was about 21 that I started really talking about it I had been to the doctors before but never took their advice because I was in a state where I thought 'what was the point?'. I went to counselling and it turns out I have serious trust issues which is why i find it hard to talk to new people or just socialise with anybody I'm not always around.
Ive been called a rude bitch, inconsiderate and god knows what else all because I tend to be quiet and I get really shy with new people. I never thought that my dad would make such a huge impact on me but just from that one day, I find I am constantly paranoid that people don't like me. I always feel that I have done something wrong or If something does go wrong it was somehow my fault. I am an absolute nightmare.
Now after having the counselling I thought maybe If i tried we might be able to salvage a fraction of our relationship and not be like it was when i was a child but at least be on talking terms. I have two sisters, a brother and three nephews who I never see and it would be nice to talk to them. I have a feeling that he probably wont get back to me but at least then I have tried and I know that I tried. The ball will be in his court and if he doesn't get back to me I can move on and get on with my life.
I know people still think I'm strange seeking escapes form comic books, game and fantasy worlds, some of them being my family and a lot of people think its strange that sometimes I don't want to go out, sometimes I just want to kill some zombies or go on a quest, but that's another thing I have just had to accept. It was hard when people would laugh in my face or throw things at me or tell others I wanted to be a vampire because I said I liked Buffy the vampire slayer but its easier now.
There are a lot of people who have gone through similar problems or worse and I know that people can make them feel and think that they are abnormal. We as a society seem to have a stigma against those with any mental problems, people avoid them try not to talk to them or talk to them like children. Its hard to face people when you think they are just going to judge you and make you feel worse than you already do.
Fingers crossed my dad does get back to me and we can sort something out but as I said I'm not going to hold my breath.
Friday, May 31, 2013
Thursday, May 16, 2013
How Media can affect our conception of Reality
The
media constructs a vast amount of ways to keep us interested, to keep us
‘suckered in’, and the effect they have on us can be enormous. These ‘media
artefacts’ are designed in a particular way to hide reality and to only show us
the representations of reality.
Representations
of reality are what we ourselves form. Baudrillard’s rendition of the fable by
Luc, a map is drawn to show an empire and it grows and decays as the empire
overthrows and loses territory, until one day there is only the decayed map
left. The map is the representation of reality made by the empire’s society. We
make the representations so that we can break down and make sense of the things
around us in the environments, therefore trying to understand reality.
We
can also use Baudrillard’s theory of Disneyland to emphasise the affect of the
media artefacts. Baudrillard theorises that Disneyland is a construct of an
ideal reality to hide the lies behind it. All illusion becomes reality.
“Disneyland exists in order to hide that it is the ‘real’ country, all of ‘real’
America that it Disneyland” (Jean
Baudrillard, simulation, and simulacra).
“Disneyland is presented as imaginary in order to make us believe that
the rest is real, whereas all of Los Angeles and the America that surrounds it
are no longer real, but belong to the ‘hyper real’ order and to the order of
simulation. It is no longer a question of a false representation of reality (ideology)
but of concealing the fact that they real is no longer real, and thus of saving
the reality principle.”(Jean Baudrillard, simulation, and simulacra).
Disneyland
is used as an example to show how we take what is in front of us as reality and
how far the media can take it. The whole Disneyland construct is made up of
different areas including the future, fantasy, adventure, frontier and main
street. Each of these areas are created to represent the Disneyland saying ‘
Where dreams come true’. Each are of Disneyland is to appeal to the different
individual dreams of our society, whether we want to be an adventurer, cowboy/
cowgirl, or a princess, they can cater to all these dreams and as Baurillard
points out make everything outside
of Disneyland seem real , it hides the bad things and makes us feel like we are
safe in our dreams and our fabricated reality.
These
examples of Baudrillard’s theories explain how the media artefacts work and why
they are there. Baudrillard once said “ All societies end up wearing masks.”.(Jean
Baudrillard, simulation, and simulacra) This is exactly how the masks are
created.
In
Plato’s conception of reality, Plato writes that our world is subject to change
because it is a sensory world, so what we know is always changing and
constantly evolving. Plato also suggests that once a person has been
enlightened and is free from the lies they must return to the darkened state of
reality in order to understand it. In Plato’s simile of a cave, it is suggested,
that when the freed prisoner returns to the cave only to find that he feels
sorry for the others and that he could never go back to how it was before he
was freed. The freed prisoner understood; after he was freed, that we need to
ask questions of everything and not just accept what is in front of you as
real.
Another theorist who agrees that media artefacts affect our conception
reality is Slavoj Zizek, a theorist who uses popular media to explain and
support his theories of the post-modern. Zizek analyses the perception of
reality in the film ‘The Matrix’, and focuses on the ‘inconsistencies’ in the
film and the matrix itself, suggesting ways in which ‘cyberspace’ can actually
affect our own lives. ‘The matrix’ focuses on a false reality created by ‘AI’
or artificial intelligence. The human created and AI and when it started
showing signs of power the humans tried to stop them. The humans realised that
a source of the energy was the sun, and so set fire to the sky but the AI
realised that humans were an alternative power source and started to grow their
own humans in factories. The matrix is the programme, which simulates reality
for every grown human; nobody in the matrix knows about the real world, the
humans believe what they see.
To
Zizek ‘The matrix’ is one of those films, which can start a chain reaction, it
can start people asking questions and being about a realisation about reality. Zizek
also plays with the theory that ‘ The Matrix’ reduces our sense of reality
insinuating that our sense are weak and so this make it easy for us to be lied
to. “On the one hand, VR marks the radical reduction of the wealth of our
sensory experience to – not even letters, but –the minimal digital series of 0
and 1, of passing and non-passing of the electrical sign. On the other hand,
this very digital machine generates the “simulated” experience of reality which
tends to become indiscernible from the “real” reality, with the consequence of
undermining the very notion of “real” reality- VR is thus at the same time the
most radial assertion of the seductive power of images.” (The Matrix, or, the
two sides of perversion, slavoj Zizek.)
When the characters in the film are ‘plugged in’ to ‘The Matrix’ they
are completely vulnerable. Zizek uses the example of when a character called Cipher
turns against the rebels and starts helping the agents who are the AI police
force. “While the rebels are experiencing themselves as fully immersed into
ordinary reality, they are effectively, in the ‘desert of the real,’
immobilized on their chair on which they are connected to the Matrix: Cipher
has a direct physical approach to them the way they really are “ helpless
creatures” just sitting on the chair as if under narcotics at he dentist, who
can be mishandled in anyway the torturer wants.” (Reloaded revolutions, Slavoj
Zizek )
We
as a society are exactly like these character when they are ‘plugged in’, the
character of Cipher is representing the media and manipulating us any way they
want to and acting as a ‘ torturer’ as Zizek suggests. Zizek also seems to be
connecting the matrix with the internet or the world wide web, this is our
virtual reality in which people now communicate, play, learn and work. “New
agers see in the source of speculations on how our world is just a mirage
generated by the global mind embodied in the world wide web.” ( reloaded
revolutions, Slavoj Zizek).
The
Internet could be our version of ‘The Matrix’; most people in society have
access to it. We have introduced into our cafes, shops, and our homes, we feel
safe with it, we trust it. When we need to know something we can trust it to
find the answers and we can learn from it. Just like the characters in ‘The
Matrix’ we can download learning programmes, the characters are able to learn
fighting, driving, really anything they want just by downloading the necessary
programme. In the film, Neo in the real world has almost no hair and has ‘plugs’
that are at the back of his head and down is back but that changes when he enters
the matrix. Neo visualises himself without the ‘plugs’ and with hair, this, as
explained in the film, is his ‘residual self image’ or his projection of his
digital self; the way Neo wants to look. This is similar to how we portray
ourselves on social networking sites such as Facebook, Google +, Bebo and
Myspace. In order to use these sites you must first create a profile page for
yourself with a profile picture. You are able to choose what you write about
yourself, what picture you use as your profile picture and also what other
pictures you will upload onto the site for others to look at. We start to
filter out things that make us look bad or that could potential make us look
less attractive to others. We only write good things about ourselves and we tend
not to write anything embarrassing about ourselves. This is our own ‘residual
self image’; our own projection of our digital selves. We choose what things
make us look good and use them to show others who we are. This is not the truth
, it is not entirely ‘fake’ and ‘unreal’ but it is controlled reality.
We have reached a point in our society where there are now people who
rarely leave their homes to stay online or ‘plugged in’, and we who use the
world wide web and interact with this virtual reality constantly and according
to Zizek while this happens we cannot reach the true reality, we as a society
need to be ‘unplugged’. Throughout the film, there a numerous examples of how the media takes
over lives. One character states that they are born into a prison as a slave,
but the prison is a prison for your mind. As long as we just accept the reality
that we are given, as the Truman show suggests, we will never be completely
free. We will forever stay asleep to the truth. Zizek uses the matrix as a way
of explaining the desert of the real and the conception of reality because
throughout the film the characters explain how the ‘real’ is only signals that
are interpreted by the brain and how it is all about control and who has that
control. “To deny impulses is to deny everything that makes us human.”(The Matrix Trilogy(1999) The Wachowski brothers). One character states this and is representing
how we must listen to our instincts and trust ourselves not just the world
around us, as the film says the matrix or the media ‘cannot kill who you are’. (The Matrix Trilogy(1999) The Wachowski brothers)
The
Truman show, directed by Peter Weir, (1998) is another film which displays these
media artefacts and explains how they can affect our lives. The main character
Truman Burbank was adopted by a media corporation and brought up in a false
reality where everything is controlled, everyone around him are actors and
actresses and he does not know anything is wrong. Truman is live on Television and
watched 24 hours a day by millions of people all across the world and there are
thousands of people hidden from him, hiding the truth of his life and hiding
the reality from him. The character ‘Kristov’, the creator of the Truman show
is referred to as ‘the architect’ in the film and can be quoted saying “ We
accept the reality with which we are presented’. (The Truman Show, Peter Weir, 1998),This
suggests that we do in fact just accept what is in front of us and do not
question it, Baudrillard’s theory of Disneyland explains this whereby the
illusion becomes the reality. We do not want to see outside of the illusion; we
cannot see the truth through the lies.
The
Truman show also not only reflects the media but it also reflects our current
situation with the media. The outlining story of the film links with baudrillard
and how lies can masquerade as the truth. The film shows us a character that “
challenges – and ultimately escapes from- a contrived world that is an
invention of media.” (http://www.transparencynow.com/trusite.htm) This character represents us as a society, or
as the society that we should be. We must question our reality and ultimately
seek the truth; we must keep asking the unanswerable questions. “We will have
to stand up to the manipulators of television and news if we want to protect
ourselves from absurdity and falsehood that now surrounds us at every turn.” (http://www.transparencynow.com/trusite.htm).
The
‘landscape’ in which the film is set and in which Truman lives represents our
own world. “ The fake landscape Truman lives in is our own media landscape in
which news, politics, advertising, and public affairs are increasingly made up of
theatrical illusions. Like our media landscape, it is convincing in its realism.” (Sanes,
Ken. (1996 -2001). Truman as
Archetype.)
The
film is a way of highlighting everything that is wrong with how we view the
media. We must not take everything that they tell us as the truth and as fact.
Like the freed prisoner in Plato’s ‘simile of a cave’, Truman take his chance
to go to the outside world; the real word. However, both are reluctant at first
to leave their own fabricated world of illusion, they are scared because they
do not know what is outside of their world, they are leaving everything they
know and moving into the unknown. We, in a way, are Truman; every one of us. We
are reluctant to realise that the media are lying to us and we are scared to
leave the mediated environment in which we live in. “His growing suspicion that
what he is seeing is staged for his benefit is our own suspicions as the media
– fabricated illusions around us begin to break down.” (http://www.transparencynow.com/trusite.htm)
In
our society we are starting to realise that the media are able to lie and may
have been lying to us for a long time we are only now starting to ask questions.
Zizek also theorizes about the Truman show, in his words he suggest that ‘The
Truman show’ is about breaking free, or as Plato put it, reach enlightenment,
when we are able to see what is real. “This final shot of The Truman Show may
seem to enact the liberating experience of breaking out from the ideological
suture of the enclosed universe into its outside, invisible from the
ideological inside.” (The Matrix, or, the two sides of perversion, Slavoj
Zizek.)
Although
films are more generally used to convey these questions and realisations,
Television and music are also able to do this in a more discrete and sometimes more
secretive way. Television in the
way of reality TV and the news and Music by a band called Laibach are just some
of the examples to show this. Reality TV shows such as big brother, the only
way is Essex, Keeping up with the Kardashians and the real housewives of Orange
County are supposed to be ‘reality’ showing how the people involved live their
day to day life, but behind the camera the producers of the how are telling tem
what to do, what to talk about, who to talk to. Their own reality becomes that
of the fabricated media lie. Just like how Baudrillard tells the story of the
map and the empire and how it replaces the reality of the empire, the Television
show replaces the reality of the real people. The Television show begins to
precede reality, we do not care about the real people, they become characters
on a show and we only care about what it happening to them on the show. We they
are real and have real lives but we are content with seeing a life that it
controlled and in a way unreal. Just like ‘The Truman show’ the character of
the director and creator of the show states, “Nothing is fake, it’s
controlled.” (The Matrix Trilogy(1999) The Wachowski
brothers). But how can it not be
fake if it is not a true representation of life? The reality shows cannot be
real because the situations and the conversation that surround the people in
the show are not true to the people. The news programmes are a perfect example of how reality can
become distorted when mediated. The news that we ear from the media has gone
through the filters and the ‘gate keeper’ of the media. An event can happen and
we will only hear part of the truth as the media ‘gate keepers’ have filtered through the information
and decided what information we should be given and what parts of the story
should be kept from us. In the most recent news about Fabrice Muamba , the footballer who suddenly
collapsed on the pitch during a match , the media told us what they thought we
needed to know, they did not want to admit that there was something wrong with
the health checks performed on footballers and so we were told that it was his
heart and that he would be fine. It has always been this way; the media
constructs news to keep us from knowing the truth. Take the Afghanistan war for
instance, the news that we hear and have been hearing since the war began is
not the full truth, either media report how bad the ‘enemy’ is or how well we
are doing, the deaths our soldiers also become part of their construct sending
the message that what is happening is the right thing and we are not doing
anything wrong; The soldiers dies for a good cause and they will be honoured.
But we are never told how bad things really are and how not everyone in the ountry
is a bad person and seen as the enemy. This creates fear in our own society and
changes our perception of people from the region.
Music
by Laibach, a Slovian band who represents the ‘Neue Slowenishce Kunst’ or ‘NSK’
meaning ‘ new slovian art’, a political art movement. Laibach cause controversy
with the music and their style. They can be seen wearing what would be
described as ‘ Nazi’ uniforms but displaying their own logo and symbols on the
arms. Over this controversy and being accused of being neo-nationalist Laibach
simply answered “We are fascists as much as Hitler was a painter.” (http://www.eurozine.com/articles/2007-01-09-lillemose-en.html)
Richard
Wolfson states, “ Laibach’s method is extremely simple, effective and horribly
open to misinterpretation. `First of all, they absorb the mannerisms of the
enemy, adopting all the seductive trappings and symbols of state power, and
then they exaggerate everything to the edge of parody…Next they turn their
focus to highly charged issues – the west’s fear of immigrants from eastern
Europe, the power games of the EU, the analogies between western democracy and
totalitarianism.” (Richard Wolfson (2003) Warriros of weirdness)
Laibach
are able to take fact and what we know and present a whole new meaning to it.
For the map preceding the territory’ by Jean Baudrillard , the map become the
reality and Laibach uses previous symbols that precede the reality and show
that they are just symbols and nothing more; the symbols meanings can change.
The Nazi like uniforms that Laibach
choose to wear mean to us exactly that , Nazis. But Laibach remind us that the
symbol for the Nazi reign was not created by them but previous symbols that had
their meaning changed. This means
as Zizek and Baudrillard both suggest that we cannot just accept what we see as
fact and reality because not every fact that we think is a fact is correct.
“Facts
change according to what we know, It was once ‘fact’ that the sun revolved
around the earth, until Copernicus discovered a new mathematical proof of a
different fact. So, we have been wrong, and we will be wrong again. ‘Infallibility’
is not a precondition of knowing what one does know, of firmness in one’s
convictions, and of loyalty to ones values.” (Curtis Edwards, What is
reality?). Edwards is able to explain clearly how we are able to understand
reality. His theory can be linked to Baudrillard, Zizek, the Truman show, the
matrix and Television. We take ‘fact’ to be a reality. In our society, we receive
so many forms of fact, and in a way, reality is becoming interlinked with
technology because of the internet and how we are linked with technology in the
same way the characters are linked to the matrix and how Truman’s reality is
created by technology.
Media
artefacts affect our conception of reality by parading lies and falsities in
front of us and assuming that we will just accept what they call ‘facts’ as our
own reality. The media will always try to hide what is real so that we never
learn of their lies and use artefacts like Disneyland to do so. Therefore, we
cannot base our perception of reality on the media but we must base our
perception on our own experiences and the world of senses that is around us.
Bibliography
- Sanes, Ken. (1996
-2001). Truman as Archetype.
Available: http://www.transparencynow.com/truman.htm. Last accessed 21/03/2012.
- Baudrillard,Jean
(1994). simulation, and simulacra.
3rd ed. Michigan, USA: University of Michigan Press, 1994. 1 - 164.
- Zizek, Slavoj (October
28 1999). The Matrix, or, the Two Sides
of Perversion,Inside the Matrix: International Symposium at the Center for Art
and Media. Karlsruhe
- Zizek, Slavoj. (1998). The Matrix, or, the Two Sides of Perversion,Inside
the Matrix: International Symposium at the Center for Art and Media.
Available: http://www.lacan.com/zizek-matrix.htm. Last accessed 12/03/2012.
- Curtis ,Edwards.
(unknown date). What is reality?.
Available: www.yahoo.com/yahooanswers/whatisreality?. Last accessed 17/03/2012.
- Plato. "The Simile of the Cave.(1974)" Republic.
Harmondsworth: Penguin, 240-48.
- Baudrillard,Jean. (1994). Baudrillard
& The magic Kingdom. Available:
http://www.cyberartsweb.org/cpace/politics/wodtke/Baudrillard.html. Last
accessed 15/03/2012.
- The Truman Show (1998)
Weir, Peter. Paramount Pictures. United States.
- The Matrix Trilogy(1999)
The Wachowski brothers. Warner Bros Pictures . United States.
The only way is essex
(2010) Mcqueen, Mark , Lime Pictures, Essex, England , Uk.
-
Keeping up with the
Kardashians(2007 – 2012) Ray, Chris. Bunim-Murray Productions (BMP) United States.
- Big Brother (2000- 2012) Scott, alex. Channel 4 Televison Corporation,
London, United Kingdom
- The real housewives of Orange County (2006 – 2009) Elkins, Amy. Dunlop
Entertainment, Coto de Caza, California, United states.
-
Richard Wolfson,(2003) The warriors of weirdness, The Daily
Telegraph
- Lillemose, Jacob . (2007). More
fascist than fascism. Available:
http://www.eurozine.com/articles/2007-01-09-lillemose-en.html). Last accessed
18th March 2012.
Wednesday, May 15, 2013
Has the media influenced the way we live and behave as a society?
There has always been debate on how the media industry has a negative
influence on society, from influencing violence, to changing how people choose
to look and live their lives. Over the years it has grown extensively from a
minor claim to, in some cases, a national panic. There is no confusion as to
why the media has had the reaction it has from society. Sources have looked at
different aspects of the debate whether the media is the influence that has
turned members of society to violence and to changing the way they live or
whether it is the people themselves just being human and thinking for
themselves, which mean that the media is not to blame.
Annette Hills suggests in Media risks: the social amplifications of the
risk and media violence debate (2001) that media can create an effect on
society that causes the members of society to panic. Hill overviews the social
amplification of risk in relation to society and the moral panic and media violence
debate in Britain. Crime cases such as The James Bulger case in 1993 and the
Dunblane massacre in 1996 are used as an example of ‘social amplification’ of
the risks of ‘media violence’. The video recording act (1984) and The criminal
Justice act (1994) were created after such events had created such public
coverage. The media was blamed for the events because it had influenced the
Bulger’s killers but then social groups, people who were protesting against the
media used the media to report the case. Hill suggests that Organisations
manipulated the ‘risk events’ to control the information about the event. This
implies that it is not the case itself but the organisations that cause the
social panic. Hill also suggests that the examples of media violence ranges from
children’s cartoons to adult horror films that are represented as having
negative effects on individuals and society as a whole and that the individuals
that are effected by the films are most likely to try and recreate or reproduce
the scenes and action that they have seen on screen. More recently Video games
have been brought into this debate and are now being blamed for most of the
recent cases of violence shown in the media.
Like
Annette Hill in Media risks: the social amplifications of the risk and media violence
debate (2001), Mark Coeckelbergh Suggests in Violent
computer games, empathy, and cosmopolitanism (2007) that games like ‘Grand
theft auto’ and ‘Manhunt’ cause public outrage due to the violent behavior
because the games were seen to be
‘glorifying’ violent actions as the whole point of each game is to be
violent. The outrage was due tot the fact that teenagers, adults and, in some
cases children who had managed to get hold of the game on way or another were
repeatedly playing these sort of games and the worry of society was that they
would try and reproduce the violent behavior they had encountered in the games.
The people who play were defending all video games arguing that games are games
and nothing more, they aren’t real and the players can tell the difference
between the real world and the virtual world created in the game. Suggesting
that there has to be something wrong with the person to begin with to be
influenced by the games. Although Coeckelbergh agrees that some game can
inspire some violent behavior, he also admits that’s there are also influences
from environmental factors, what surrounds society and the players of the video
games. Coeckelbergh states that no matter what there is always human freedom,
which every person in society has which means they choose to play the games and
they control the effect it has on them. They do not have to act violently they
can simply choose not to, and that there is not enough evidence to show that
playing video games is the most important factor in people acting violently.
Robert B kozma suggests that
the media can have an influence on our educational system and how we learn at
school or in higher education in ‘Will media influence learning? Reforming the
debate (1994).’ He suggests that there are many different ways that media can
help students with tasks and different situations., helping the children or
teenagers to be taught in a more effective way. New media technologies that
have been introduced to schools recently have been brought into the educational
system with the use of black or white boards being replaced by projectors and
boards that are connected to computers wirelessly. Kozma states that this type
of media will help to advance the development of the whole system and although
Information technology has been taught in schools around the Globe for many
years yet it is only recently that the teaching has gone beyond the basic
skills. Learning to create a website or in some cases learning to create a
world of animation. But Kozma also recites the work of Richard Clark in 1983,
which suggests that after reviewing results of comparative research that there
are no benefits to be made from the media or “employing any specific medium to
deliver instruction” stating that it does not influence students learning or
achievement. Kozma looks at the debate form both sides, one being hat the media
influence does develop learning and the other that it is students that advance
their own learning not the media. It can be said that this is just a matter of
opinion as Kozma suggests by looking at the process of mind within the debate.
The media are constantly being condemned for the view that it has
negative influence over society. There have been hundreds of studies to try and
prove once and for all if this is true or not. Sarah Coyne suggests that these
studies from over the last 60 years have shown that viewing violence can
influence violent behavior. But she states that theses studies are all
conducted in a laboratory so they do conclude that watching violence results in
real criminal behavior. It is implied that the people who have seen to be
influenced by the media already show aggressive behavior before viewing the
violence. Studies are used to prove to society that the media does have a negative
effect such as the Allan Menzies case in 2003 who killed his best friend and
said that a character from the film ‘Queen of the damned ‘ told him to do it
and the series of ‘clockwork orange’ murders in the 1970’s but as Coyne states
‘if violent television influenced violent crime’ there should have been an
increase in violent crimes when television was first introduced into society,
no matter where it had been introduced. Coyne looks at the research done on the
subject and the results are that some people are just more prone to the effects
than others. Which relates back to what Coyne was saying about how it could be
the people who already have aggressive personalities that are affected. But
there are many reasons as to why people would be more prone to the effects for
example if they had been brought up in a violent home or a violent neighborhood
or was never disciplined as a child and has never known right from wrong. This
follows hat Mark Coeckelbergh suggests in Violent Computer
games, empathy and cosmopolitan (2007) when he suggests that there are also
influences from environmental factors, what surrounds society and the players
of the video games.
Testing
casual direction in the influence of presumed media influence by Nurit Tal-or,
Jonathan Cohen, Yariv Tsfati and Albert C. Gunther suggests that’s people do
change their behaviors after watching a film or seeing an advertisement. They
suggest that people see a new media technology or a film or advertisement and
then estimate what could happen and ‘the potential effects’ and then they
change their behavior according to the outcome of what they thing the effects
could be. Cohen et al use the example of a parent who expects their children to
be influenced by the violent behavior seen in the media such as in their
cartoons and automatically gets a television with a v-chip. This is control
what the children watch. They also suggest that the third person effect is some
thing that can be blamed in this debate. Suggesting that it is not people’s
fault that the influence is put upon them. As Hans Bernd Brosius and Dirk Engel
suggested in 1996 that the third person effect is when people expect the media
influence is to more of an effect on others than themselves. This can be seen
throughout our society.
K.
Schoenbach reveals in Myths of media and audiences (2001) that we as a society
use the claims against the media as a way of explaining why the world is the
way it is to ourselves. Society likes to make these claims as a way of
explaining why teenagers act aggressively and hurt people or why children
sometimes thrash out at others. Schoenbach goes on to say that these claims are
the reason that laws are created such as the video recording act (1984) which
Annette Hill wrote about. These claims can inspire a lot more than just the
law, according to Schoenbach, they can inspire people to spend lots of money on
new media technologies, and blaming the media for not making changes to the
world to make it a better place. But Schoenbach also suggest that none of these
claims have never been confirmed or worked in ‘realty’ but are still widely
believed. Any new medium that has been or is going to be introduced to society
has and will be welcomed by myths, rumors and claims that they are dangerous to
society, Schoenbach suggests that this has been the case since writing became a
way of communication when Socrates complained that his memory had declined due
to the new medium of written texts.
In 1971 Marshall McLuhan predicted that the video recorder would
influence every part of our lives and Schoenbach agrees with him. The video
recorder represents Media technology and Schoenbach stands by what McLuhan said
and says that he was completely correct.
Another
way that the media has been said to affect society is a personal one. The way
we dress and look has, for a while, been blames n the media. Teresa L Marino
carper, Charles Hegy and Stacey Tantleff-Dunn investigate this in relations
among media influence. They suggest that the media has an effect on body image
as in the way we dress, how we style our hair as well as our weight. Eating
concerns including anorexia nervosa and bulimia nervosa. This ties in with our
weight and physical attractiveness. We as a society have a desire to be
attractive and the media in one way or another with magazines and
advertisements determine what is classed as attractive. Carper, Hegy and Tantleff-Dunn ‘s
results conclude that the most vulnerable to the influence form the media are
women and gay men. Straight men are still influence but the numbers are much
lower. These results partially accounts according to Carper for the relatively
high number of eating disorders observed in our societies population.
The influence that the media has over the whole of society is
a vast and an on going debate. According to most whatever the new media
technology is it will come across claims from society. From video games to
films the whole media industry is said to have negative influence on society
but according to authors of such articles as Media risks: the social
amplifications of the risk and media violence debate (2001), Violent computer games, empathy, and cosmopolitanism (2007) and ‘Will media
influence learning? Reforming the debate (1994) there
is not enough evidence to conclude whether these claims are the truth or merely
myths as K. Schoenbach suggests in Myths of media and audiences (2001).
Bibliography
Brosius, HB Engel, D. (1996). THE CAUSES OF
THIRD-PERSON EFFECTS: UNREALISTIC OPTIMISM, IMPERSONAL IMPACT, OR GENERALIZED
NEGATIVE ATTITUDES TOWARDS MEDIA INFLUENCE? Int. Journal of Public Opinion
Research, Oxford Journals. 8 (2), 142-162
Carper TL, Negy C, Tantleff-Dunn S. (2010).
Relations among media influence, body image, eating concerns, and sexual
orientation in men: A preliminary investigation , OhioLINK Electronic
Journal Center. 7 (4), 301-309
Coeckelbergh,M. (2007). Violent Computer Games,
Empathy, and Cosmopolitanism. Ethics and Information Technology . Ethics and
Information Technology. 9 (3), 219–231.
Coyne, S. (2007). Does Media Violence Cause
Violent Crime?. EUROPEAN JOURNAL ON CRIMINAL POLICY AND RESEARCH. 13
(3-4), 205-211
Hill, A. (2001). Media risks: the social
amplifications of the risk and media violence debate . Journal of Risk
Research. 4 (3), 209-226
Kozma, R. . (1994). Will media influence
learning? Reframing the debate. Educational technology research and
development. 42 (2), 7-9
Schoenbach, K. (2001). Myths of Media and
Audiences. European Journal of Communication. 16 (3), 361-376.
Tal-Or,N Cohen,J Tsfati,Y C. Gunther,A. (2010).
Testing Causal Direction in the Influence of Presumed Media Influence. Communication
Research. 6 (37), 801-824.
Monday, May 13, 2013
Roots
A couple of years ago I took a trip to Ireland to get back to
my roots. Half my ancestry has strung from a long line of Irish folk who were I
may say not always the most sensible of people but they were successful in what
they did. We have had Manual labourers, kings and queens, soldiers and believe it
or not a wrestler. Before changing my name to Reardon because my mother got
married to a Scotsman my surname was McDermott. I only found out recently from
a relative who has spent all their free time researching the family tree, that
the last king of Ireland was one of my great ancestors unfortunately our line
comes from his eldest son who was removed from the family, gave up his title
and married a gypsy; which explains where our lack of sensibility comes from. Although
i'm not full Irish and only have the influence from my mother’s side with her
father coming from Dublin I’m very proud to have it in me. Growing up I would
always celebrate St Patrick’s Day in school, wearing ribbons coloured like the
Irish flag in my hair but the sad thing is I’ve never grown out of that and the
last St Patrick’s Day was no different 20 years old and I was sitting in my
university lecture with ribbons in my hair. I’d never been to Ireland, which is
something that maybe I shouldn’t admit but I hadn’t. I had never been taken but
when the chance came up I took it. Going out to Ireland was something of a
problem as I had never been on a plane on my own before and to be honest I was
petrified, even when I was standing in the airport and looking for my terminal
I wanted to turn back and the flight is only an hour long.
An
hour later I was waiting in the arrivals terminal of Dublin airport looking for
someone I recognised, the amount of people moving around me was slightly
overwhelming in a sense it was hard to see anything and due to me only being
5ft 3in it made that all the more difficult. Finally I see a woman running towards me with a huge smile on
her face saying quite loudly ” Ah there she is, I can see her, how are you
Sarah “. This woman was my great aunt Maureen someone who I hadn’t seen since I
was about 6 so I’m still rather shocked that she recognised me.
Touring around Dublin with my
own guides and being driven everywhere worked out really well.
I’m the sort of person who loves to learn new things and who relishes in the idea of going to new places
with a lot of history so when we went to trinity collage, which was founded in 1592, I was in my element.
Having spent quite a few hours relishing the history of a building a certain shop across the road took my
eye and shocked me because although I do like history and facts, sci-fi is also a huge love of mine and
across the road there stood a forbidden planet and was one of the biggest one I had seen so needless to say
I got unnecessarily excited and made myself look completely stupid as no one else knew what I was on
about.
I’m the sort of person who loves to learn new things and who relishes in the idea of going to new places
with a lot of history so when we went to trinity collage, which was founded in 1592, I was in my element.
Having spent quite a few hours relishing the history of a building a certain shop across the road took my
eye and shocked me because although I do like history and facts, sci-fi is also a huge love of mine and
across the road there stood a forbidden planet and was one of the biggest one I had seen so needless to say
I got unnecessarily excited and made myself look completely stupid as no one else knew what I was on
about.
The
food that my grandparents bought was always a product of Ireland and so when it
came to eating
traditional food I did give it a second thought naively thinking that it wouldn’t taste the same as back home,
I soon found out however that I couldn’t have been further from the truth. Their meat tasted completely
different the meat was so fresh, I later found out it came from the farm just down the road earlier that day.
traditional food I did give it a second thought naively thinking that it wouldn’t taste the same as back home,
I soon found out however that I couldn’t have been further from the truth. Their meat tasted completely
different the meat was so fresh, I later found out it came from the farm just down the road earlier that day.
I
am a really sentimental girl who loves her family and her friends. I love to
learn and I can’t think of
anything better that learning new things about something that means a lot to me. It’s something that money
can’t buy which to be honest means its one of the most important things in life. Well to me it is anyway.
anything better that learning new things about something that means a lot to me. It’s something that money
can’t buy which to be honest means its one of the most important things in life. Well to me it is anyway.
What does Heidegger mean when he claims that the essence of technology is nothing technological?
What does Heidegger mean when he claims that the essence of
technology is nothing technological?
As humans we can only understand what we
know and the way we interpret the world is through our understanding. We begin
with an object and we process it’s being and ask certain questions; what it is?
What does it do? What is its purpose? And what does this mean for us? We
process the information and categorize this object into a simpler way of
understanding it. Martin Heidegger
uses a tree as an example. What the object is we do not know but we process it
and give it the name ‘tree’ so we can understand it. He uses the Tree as an
example in trying to explore and explain technology and the essence of
technology.
Through
Martin Heidegger’s ‘The Question concerning Technology’ he explains that the
ESSENCE of something is not present in the thing itself. So as far as the
example of the tree it is merely a tree because we say it is but the essence of
the tree it not present in any tree we have or ever will encounter. Heidegger
dedicated his life’s work to explaining the meaning of the word ‘being’ but as
two separate words, ‘being’ and Being’. ‘being’ meaning the physical state of
being and ‘Being’ meaning the essence of something. But to understand the
essence of technology we must first understand what technology actually is.
A
computer to us is technology but in fact it is only one part of technology and
is in a way just a result of technology. Because without previous technology a
computer would never have been invented. According to Heidegger, throughout
history there have been many answers to what technology is, some saying it is a
human activity or a means to an end but although Heidegger agrees that both
statements are correct he also says that they are not true. This is the way we
perceive technology and what we believe and want it to be but it is not what
technology itself is.
Kant
expressed that there are two aspects of reality, the things itself and our
experience of the thing. According to Kant all we know and all we can ever know
is mediated through our experience so we can never know what the thing actually
is. We can never breakthrough the boundaries of our senses; the ‘actually real’
is totally inaccessible to us.
Edmund
Husserl a German mathematician and thinker came up with a way of understanding
thinking called phenomenology (philosophy/psychology) which focuses on
perception and how we perceive the world and how we make sense of the data we
receive or the part of the process things go through for us to understand the
world around us. There are two categories one is Noema which is ‘ meaning
given’, we recognize the objects and circumstances and the process happens to
fast that we do not realize that it has happened and we immediately understand
what the object or circumstance is, in a way it gives itself meaning. The other
is Noesis, which is ‘meaning giving’; this is the process of making the
connection between the meaning that is given, the world of common sense and recognition.
A table cannot be a table with out us making the connection but our processes
of thought when faced with something no in our known world sill tries to
understand. For instance how do we
know what unicorns look liked if they are not real? They do not exist yet we
have pictures of them and they are in stories and we can imagine them. We have
created an image of a unicorn in order to understand it. Husserl argues that there are two
levels of reality; there is a perceivable reality of things that do exist and a
perceivable level of reality where things do not exist. Through his argument
Husserl is trying to unite the external world of objects.
According
to Alex Scott this is what Husserl was explaining through his phenomenology and
his two ways of thinking. “The noetic meaning of transcendent objects is
discoverable by reason, while the noematic meaning of immanent objects is
discoverable by pure intuition. Noetic meaning is transcendent, while noematic
meaning is immanent. Thus, noesis and noema correspond respectively to
experience and essence.” Husserl believed that the representational function of
naming thing could only get us so far; words have lost their meaning because we
give them new meanings as our language changes.
This
explains how the process of our understanding works but to Heidegger we still
need to stop understanding everything and realize that we cannot know and fix
everything. In ‘the question concerning technology Heidegger asks the
unanswerable questions because if the essence of something is not present how
can we possibly know what it is? Heidegger is not interested in finding out the
answer because then as we have always done before we will find the answer
process it and fixes it to a name and category. Heidegger is interested in
trying to change our way of thinking from an optic to an ontological, from a
closed to open way of thinking. He is interested in opening our thoughts and
encouraging us to ask the unanswerable questions and realize that the world is
always in a state of flux and forever changing, that we cannot hold it back and
fix it into place we must flow with it and accept that nothing is permanent.
Heidegger believes that technology is enframing us and we have to get out of it
and to do so we must move to his new way of thinking.
Returning
to what Heidegger said about what technology is or what Heidegger calls
‘instrumentality’, technology is a means to an end and says that that means to
an end is human activity because it is human beings who recognize. Heidegger
argues that this is correct once we get further into the truth. The truth is to
uncover the essence of something because the correct is static, ontic and
one-dimensional. But Ontic knowledge is fact and therefore not to know the
truth. Knowledge what we take as fat does not give a full story because the
truth is always changing, it is not ontic knowledge at all. Because of this
Heidegger states that it is not what we know that is important it is what you
are prepared to find out that gives us the real truth.
For
Heidegger this way of thinking is an approach to life and is about the
aesthetic of our existence. It becomes for Heidegger a way of living and this
way of living means that we must be immersed in our existence, move on and
accept change to not just accept the knowledge that is placed in front of us
but to question it and always search for the truth.
Francis
Bacon suggests that there is two ways of searching into and discovering the
truth, axioms said by Bacon are statements of acceptable truths. The first way
of discovering the truth is flies from the senses meaning to the information
from your senses and then try to justify that our senses are right. The second
way of discovering the truth is derives axioms from senses, meaning that when
we see that leaves are green; Green is different types and shades so it asks
the question of is are leaves green? We make a statement and then our senses
use this information. According to Bacon the first way is absolute we believe
what we see and as Heidegger would say it is fixed. The second way means that
we never stop questioning we are open to change.
Heidegger
argues that asking questions about cause and effect is the next step on from
instrumentality and the means to an end. According to Heidegger there are 4
causes and uses a silver chalice as an example to explain the causes. The first
is the casual materiarlis, which is the matter out of which something is made,
the silver out of which a chalice can be made. The second is causa formalis,
which is the form, or shape that the matter can enter, for example the shape
that the silver will enter is the shape of a chalice. The third is Causa
Finalis, the end that is given to the matter; the silver has become the
chalice. The fourth and final cause is causa efficiens, the person that
actually does the thing and brings it into being, for this instance it would be
the silver smith. However
Heidegger does state that the concept must first exist for the end to be
created.
Graham
Harman argues that we have forgotten the question of being and just accept
things equally just as we have forgotten how these 4 causes work. Something in
the way we are as a population has made us forget that all these things
interact and that they are not isolated. As a population and human beings we
bestow responsibility to humans. We have taken the fourth cause the causa
efficiens to be the most important and over time have completely forgotten
about the third cause. We now always say that a person is the cause of
something we do not look further into the process we just accept the knowledge
that somebody has crafted something and that makes them the cause.
In
this digital age people use radios and Television to the point where it
actually can change the relationships they have with technology and people.
Most people do not know how a Television works or how our mobile phones works,
we do not know how they are made what materials are used in order to make them
but we constantly use them and according to Harman we are subject to technology
even though we do not know how it works.
Heidegger
argues against Harman stating that one thing cannot be responsible. All these
things and answers have to work together one is no more important than the
other. Heidegger believes that the causa efficiens or the silver smith does
contradict itself because he did not create the chalice the idea of the chalice
already existed, he would not have made the chalice if somebody did not ask for
the chalice. We need to think why we have things and what we use them for
rather than just to know we have an item and that’s it. The 4 causes are always
interlinked with the two aspects of bring forth Poiesis and Physis. Poiesis, a
way of doing and creating and Physis meaning the nature, the Being ,
combination where things sync and works together. Heidegger believes these two
words, Poiesis and Physis, have become separate because technical production is
no longer seen as creative. but we now live in an era where these two words and
functions are possibly being reconnected.
Foucault
suggests that knowledge is not power, as human we think if we have knowledge we
have power but because of our way of thinking the word knowledge has become
separated from its root meaning. Our ‘knowledge’ of the world around us is not
about unity with our environment or the concept of being. Every human being is
seen as how much potential they have to an employer or to someone else.
Heidegger also believe that the world is enframing us leading on from our
flawed relationships. The world is enframed within discourse and there are
parameters in which we exist. Heidegger believes that the world is not ours to
freely explore. But the process of enframing is the essence of technology.
According
to Paul Gorner a lecturer in philosophy at the university of Aberdeen the
essence of technology is just a way of opening and revealing. “What lets things
show themselves is what normally does not show itself ”The essence of something
is that which does not show itself. Through Heidegger’s philosophical approach
to the essence of technology it is apparent that Heidegger does not want to
find the essence of anything but to rather search for the essence without an
answer. The essence of technology is the Being of technology, what some people
may call the spirit of technology. The essence of technology is information
about technology that we as humans have been processing in our heads and have
come up with nothing for our senses to understand.
In
our digital age we are surrounded by technology but we do not know how it works
or how it is brought about. We attribute the credit to humans such as the
company apple and the founders Steve jobs and Steve Wozniak. They invented the
ipod, the iphone and the ipad but we do not know how they were made or what
they are made of and just like the four causes we have made the 4th
cause the most important we have not questioned the products we have just
accepted that that’s the way things are.
Heidegger
means that the essence of technology is what we must strive toward and question
everything that we see and do not take it as true. The fact that Heidegger
suggests that the essence of technology is nothing technological sets about a
new way of thinking in order for us as humans to be free from technology. It is
possible that it is not technology that it enframing us but it is in fact doing
the opposite we do not need to get ourselves out by a new way of thinking
because technology could actually be doing that for us.
The
essence of technology is in nothing technological because anything that it
technological can be a physical piece, something that we as human have taken,
named, fixed in place, and understood. We are able to use computers because we
understand them. The essence is something that cannot only be linked to
technology but to most parts of our daily life. Religion can be used as an
example because in all religions people believe in something. Anything
religious can be a physical object like a book (the bible, the Koran) but what
the people believe in is something, which cannot be seen or heard or felt.
For
Heidegger he believes in the essence of technology is not just what we call
technology such as a computer or anything that can be ‘categorised’ as
technology even in its earliest forms. It is more like an idea that people can
feed from and have other ideas from but something that no one can really think
of. It is a chance for us as human to think a new way and join with technology
not just to understand it but to question it and see it as ever changing and
expanding, understanding that we can never stand still with technology, that we
have to move with it.
Alex scott. (2003). Husserl .
Available: http://www.angelfire.com/md2/timewarp/husserl.html . Last accessed
20th december 2011.
Gorner, Paul. (2005). ends and means.
Available: http://www.abdn.ac.uk/philosophy/endsandmeans/vol2no1/gorner.shtml .
Last accessed 02 january 2012.
Alexander ferrari di Pipo. (2000). The
Concept of Poiesis in Heidegger's An Introduction to Metaphysics. Thinking
Fundamentals. 9
Husserl, Edmund (1931). Ideas:General
introduction to pure phenomenology, translated by W.R.Boyce Gibson. london:
Geaorge Allen & Unwin Ltd
Foucalt, Michel (1969). The archeology
of Knowledge. france: Éditions Gallimard.
Heidegger, Martin (1962). Being and
time. Germany: SCM Press.
Harman, Graham (2005). Guerrilla
Metaphysics: Phenomenology and the Carpentry of Things. london: Open Court.
SparkNotes Editors. “SparkNote on The New Organon.”
SparkNotes.com. SparkNotes LLC. n.d.. Web. 4 Jan. 2012.
Francis bacon (1620). The New Organon.
Book One london: unknown
Francis bacon (1620). The New Organon.
Book Two london: unknown
Immanual Kant (1781). Critique of pure
reason. Germany: unknown.
Immanuel Kant (1951) Critique of
Judgment, Translated by J. H. Bernard, New York: Hafner Publishing
Immanual Kant (1788). Critique of
Practical Reason. Germany: Longmans, Green and co.
Subscribe to:
Posts (Atom)